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Brief info

BIOGRAPHY

Michelangelo Pistoletto (b. 1933, Biella) began exhibiting in 1955 and held his first solo show in 1960 at Galleria Galatea, Turin. His early self-portraits evolved into the celebrated Mirror Paintings (1962), which gained him international recognition. In 1965–66, his Minus Objects helped catalyse the Arte Povera movement, where he emerged as a leading force. From 1967, Pistoletto expanded art beyond galleries, fostering collaborations across disciplines and society. In the 1980s, he produced sculptures in polyurethane and marble, followed by the Art of Squalor series (1985–89). During the 1990s, he taught at the Academy of Fine Arts in Vienna and founded Cittadellarte – Fondazione Pistoletto in Biella, aiming to link art with social responsibility.

Through six decades, Pistoletto has continually expanded the role of art, merging aesthetic innovation with civic engagement. Honors include the Golden Lion for Lifetime Achievement (Venice Biennale, 2003), a laurea honoris causa in Political Science from the University of Turin (2004), the Wolf Foundation Prize in the Arts (2007), and the Praemium Imperiale for Painting (2013). His project Third Paradise, launched in 2004, remains a participatory platform for collective creation. His writings deepen his artistic vision: Ominitheism and Demopraxy (2017) proposed art as a driver of societal regeneration, while The Formula of Creation (2022) reflects his entire career. In 2021, he inaugurated the Universario at Cittadellarte to present his most recent research, and in 2025, he was nominated for the Nobel Peace Prize, recognizing his lifelong commitment to art as a driver of responsible social change.

CONCEPT

The Third Paradise (Il Terzo Paradiso) is a worldwide artistic symbol conceived by the Italian artist Michelangelo Pistoletto, representing the fusion between the natural world and the world created by humanity. Its emblem, a reconfiguration of the mathematical infinity sign, with a third central circle, signifies a new balance – a third phase of humanity that transcends the conflict between the natural and the artificial to give birth to a sustainable and responsible civilization. At the heart of this vision lies the Formula of Creation, a conceptual foundation of Pistoletto’s art, expressed as: 1 + 1 = 3 where the encounter between two elements generates a third – the relationship – as the foundation of all evolutionary, artistic, and social processes.

Created using marble processing scraps from quarries and workshops from different parts of the world, the installation represents a bridge between past, present and future, embodying the eternal cycle of creation, memory, and transformation. The diverse origin of these discarded materials underscores the global interconnectedness of cultures and histories, while their re-use highlights a shift in paradigm: from exploitation to regeneration. In the shadow of the pyramids – which embody the continuity of civilization, the Third Paradise emerges as a contemporary symbol of renewal and responsibility and stands as a symbol of the concept of Preventive Peace, one actively built through responsible choices, shared knowledge, and collective harmony. Its presence among the pyramids of Giza amplifies its universal meaning, as a timeless dialogue between ancient wisdom and contemporary vision. This resonance is made even more significant by Pistoletto’s nomination for the 2025 Nobel Peace Prize, recognizing his lifelong commitment to art as a driver of social transformation and planetary balance

A collaboration between Fondazione Pistoletto Cittadellarte & the Italian Cultural Institute in Cairo

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