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Brief info

BIOGRAPHY

Jongkyu Park (J. Park, b. 1966) explores new possibilities in contemporary art through a unique motif he calls ‘Digital Noise’, working across various media. In digital systems, ‘noise’ refers to unwanted or random information. Rather than treating this as an error, Park embraces it as a formative visual language, reorganizing and aestheticizing it into painterly order. He collects and analyses broken images, error signals, and pixel traces from computer screens, extracting a kind of order within their disorder and giving it form. Through this process, he questions the limits of human perception, the nature of technological media, and ultimately, the very foundations of art itself. By revealing the hidden beauty within noise, he restores meaning and value to the elements modern society tends to reject or conceal and visualizes the tension and boundaries between two opposing concepts: technology and humanity; elimination and existence; centre and periphery.

Born in Korea, he completed the D.N.S.A.P (Diplôme National Supérieur d'Arts Plastiques) and the Post-Diplôme program at the École Nationale Supérieure des Beaux-Arts. He has exhibited extensively in museums such as the Guangdong Museum of Art (China), Fukuoka Art Museum (Japan), and Daegu Art Museum (Korea). His works are included in the collections of the National Museum of Modern and Contemporary Art in Korea, Seoul Museum of Art, Daegu Art Museum, and the École des Beaux-Arts in Paris, among others.

CONCEPT

Code of the Eternal reinterprets Jongkyu Park’s signature theme of ‘noise’ in the context of the Egyptian desert. Known for constructing images by printing digital pixels (dots and lines) onto adhesive sheets and selectively removing them, Park extends this method into the landscape, where signal and noise fluidly exchange roles.

The work centres on a triangular geometric structure set within a square frame, encrypted with the identities and phone numbers of numerous individuals. This reflects the concept of hidden messages, much like the secrets buried within ancient pyramids. The structure itself is based on numerical proportions drawn from the height and length of actual pyramids, linking geometry with spiritual symbolism.

Surrounding this are about 1,000 stainless steel mirror dots – transformed digital ‘noise’ elements – that shimmer under sunlight, echoing pixel-based distortions found in digital media. These dots form an encrypted message reminiscent of Morse code, symbolizing a path connecting past, present, and future. A poetic message by the artist, imagining a dialogue from Dangun, the mythic founder of ancient Korea, to an Egyptian pharaoh, is inscribed on a stone tablet. This imagined exchange bridges two ancient civilizations through a shared longing for immortality and eternal life.

Park’s work reimagines Egypt’s ancient heritage through a contemporary digital lens, creating a meditative space where material, technology, and mythology converge. Ultimately, Code of the Eternal invites viewers to explore their own interpretations, allowing the meaning to shift and evolve with each perspective.

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